This is Neil, apparently. I don’t remember where he came from but he’s on my hard-drive.
Monoprint + digital frippery.
Another in the same vein. Knees are unfailingly interesting to draw.
Oil over acrylic. (BLASPHEMER!)
I am so into legs.
A work in progress. Thin layer of oils over acrylic & primer on paper. I used plastic to get a textured effect in the background.
Update: Apparently this is where it went.
Mixed media (mostly acrylic) on card.
Untitled (head study).
Based on a found photograph. I don’t usually paint faces in detail, I’m not sure why. I don’t feel comfortable with portraits. It seems invasive.
Oil on a textured background of acrylic paint, acrylic primer, liquid latex and probably about 5 previous failed paintings. (24"x20")
Tourist.
This one is about time and fate and the feeling of detachment that comes with relinquishing control. Mixed media on wood – oils, pencils, pastels, emulsion, latex and print. (Approx 36"x24")
To get in to slightly more detail, the idea behind this one was to try and capture that strange feeling you get every so often when things just seem to be playing out according to a long-written script and there’s nothing much to do but watch it all unfold.
There’s some clumsy symbolism in this piece. The lines represent the axes of a geometric projection or mathematical diagram, in reference to the notion that time is a dimension akin to the three spatial dimensions. (The title was originally going to be Tourist in the Fourth Dimension.) The jigsaw pieces at the bottom are an allusion to the idea of one’s future being mapped – of destiny being laid at one’s feet. The musical notation in the upper right corner is supposed to be a metaphor for the idea of events playing out according to a predetermined order. It’s a bit awkward and not very subtle, but there it is.
The reason the eyes are blank and pupil-less is to strip the figure of an identity and underline the notion that this is universal condition. I have no idea why he’s wearing only shorts and sitting on thin air. And I’m not entirely satisfied with the face, still unfinished in this photo, which is nonetheless the best picture I have because I forgot to take a better one before selling. Oh well. The fates decreed it.
Cove.
A fairly rare attempt at landscape, or rather seascape. This was inspired by a trip I inadvertently took to a small coastal village somewhere in west Galway. I was feeling cranky and antisocial so I took a camera and a bottle of wine and took a ride on a bus until I got to somewhere I didn’t recognise. I highly recommend it.
Chalks and watercolour on paper. (Approx 12" x 25")
Chew.
A big messy five-foot investigation of colour and texture. The model was an unhealthily thin adolescent relative, mid growth-spurt. I am not offering this as a body-image ideal.
Mixed media on cotton. (Approx 60"x24")
White Room No. 2
Another from the Finland series.
Mixed media on card (Approx. 36"x24")
White Room No. 1
One of a series painted during a very cold winter in a remote part of Finland. I think the conditions may have affected me/the work.
Mixed media on thin card. (Approx 36"x24")