This is just a scroll of paper taped to the wall that I add to now and again when other paintings aren’t going well. It’s like knitting or chewing the cud. It passes the time.
I suppose it’s abstract, but that seems the wrong word by now because I know its forms so well that revisiting it feels like walking down a familiar street. It seems obvious where everything is in relation to each other. Abstraction usually feels vague, that’s its appeal; shapes morph and colours bleed and planes shift. This one feels more like a lovely, horrible, old misshapen teddybear: to anyone else, it’s probably hard to tell what it’s meant to be, but I’ve spent so much time with it I think it’s perfectly clear. It’s meant to be what it is.
Oil on paper, 21×42"