Burnt Fingers
(mixed media, ~6.5 x 6.75")
digital manipulation of a collage made from a linocut print and several burnt oil paintings made on photo paper.
i inhaled a lot of smoke. i do not recommend this technique.
Burnt Fingers
(mixed media, ~6.5 x 6.75")
digital manipulation of a collage made from a linocut print and several burnt oil paintings made on photo paper.
i inhaled a lot of smoke. i do not recommend this technique.
Window painting – details, lit by torchlight.When it gets dark, only the silver parts are visible: the sea and snow.
Details.
Black & silver outliner paint on glass. Difficult to photograph in colour, I’m afraid.
It’s roughly based on this Chinese painted scroll, but I turned it into a snowstorm and replaced the little elderly philosopher with a woman vaguely inspired by this woodblock, …I feel a little uneasy about mixing them but this is my goddamn bathroom window and I don’t want that dude watching me shower. In my head the woman is a scholar-poet composing flattering verse about my fish-belly skin when she’s not busy watching the storm and pondering her strange world of boiling seas and mangled perspective.
I think I’ve finally finished the window.
Drown, 2014.
Oil on linen canvas, bigger than you’d think. (About 33 x 56.5 inches.)
I think it’s finished? Let’s pretend it’s finished.
Liquid latex peeling like skin from an unfinished oil painting.
Work in progress.
I will probably die with this painting unfinished. In fact, I will probably be crushed to death when the then-two-foot-thick layer of crusty oil paint weighing down the surface of the canvas finally cleaves away like an Arctic ice shelf breaking, and they’ll find me crumpled underneath, palette knife and unfeasibly tiny paintbrush still clutched in my stiffening fingers.
Work perpetually in progress.
Oil and sundry on cotton. 100cm x 100cm.
Conor Pass (2012). Oil on panel, 30.5 x 30.5 cm.